“Surgery is the new sex.” Kristen Stewart’s Timlin whispers this into the ear of Viggo Mortensen’s Saul Tenser after witnessing his surgical performance art in David Cronenberg’s Crimes of the Future. It’s an epiphany for the aroused Timlin. For writer/director Cronenberg, it feels more like an organic evolution, a new appendage sprouted from his fleshy, pulsing, existential body […]
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