‘The Amityville Terror’ – Sixteenth Movie Surprisingly Offers Campy Entertainment [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” My hunch about the higher production values for The Amityville Terror (2016) wound up being true, and whether it’s the slightly more polished look or a cast […]

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The Tragedy Hiding in Plain Sight in Gus Van Sant’s ‘Elephant’ [Horror Queers Podcast]

The Columbine Movie It’s been a month of vampires, slugs, and biddies with episodes on The Hunger, Night of the Creeps and What Ever Happened to Baby Jane? This week, however, Trace and I are getting serious as we tackle gun violence, school shootings, and queerness in gay director Gus Van Sant‘s enthralling film, Elephant […]

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How 1977 Horror Movie ‘Rituals’ Exploits the Threatening Canadian Landscape [Maple Syrup Massacre]

Maple Syrup Massacre is an editorial series where Joe Lipsett dissects the themes, conventions and contributions of new and classic Canadian horror films. Spoilers follow… In the first two entries of this series – on Adam MacDonald’s Backcountry and Grant Harvey’s Ginger Snaps Back: The Beginning – we spent a fair amount of time talking about the Canadian relationship […]

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The Feud at the Center of Camp Classic ‘What Ever Happened To Baby Jane?’ [Horror Queers Podcast]

Cloche Following the double bill of vampire films with The Hunger and Ganja & Hess, Trace and I jumped into genre hodge podge last week with Fred Dekker’s delightful sci-fi homage, Night of the Creeps. This week we’re veering gently into camp territory with the birth of hagsploitation in Robert Aldrich‘s What Ever Happened to Baby Jane? The film […]

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‘The Amityville Legacy’ Finds a Haunted Monkey Inside the Amityville Toybox [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” With Amityville Vanishing Point unavailable to stream or buy in Canada, I’ve had to leap frog over it and go directly to 2016’s The Amityville Legacy (aka […]

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The Intriguing Philosophy and Dumb Scientists of ‘Prometheus’ [Horror Queers Podcast]

Honest Trailer Trace and I are recovering from our live show at Salem Horror Festival this past weekend, but in April we kept busy with episodes on Yorgos Lanthimos’ The Killing of a Sacred Deer, Tony Scott’s The Hunger, and, most recently, queer Black writer/director Bill Gunn’s Ganja & Hess (which just celebrated its 50th anniversary!) […]

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‘The Amityville Theater’ Gets Lost In Its Own Playhouse [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” We’re hitting new lows with the “franchise” with The Amityville Theater (or The Amityville Playhouse depending on where you watch). Despite an inherently interesting location and a […]

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Race, Religion, and Vampires in Bill Gunn’s ‘Ganja & Hess’ [Horror Queers Podcast]

Bathtub Teeth Brushing. Trace and I are cruising through April en route to our live show at Salem Horror Festival this weekend, but we’ve been keeping busy with episodes on Stephen Dunn’s Closet Monster, Yorgos Lanthimos’ The Killing of a Sacred Deer, and, most recently, Tony Scott’s The Hunger. This week we celebrated the 50th […]

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The Self-Aware Meta Commentary in Brian De Palma’s ‘Body Double’ [Sex Crimes]

Considering how long I’ve been writing this editorial series, it’s wild that this is the first entry tackling Brian De Palma. While there’s a history of contentious reactions to his works (primarily from feminists in the 70s and 80s who accused him of misogyny for his often brutal treatment of female characters), aside from Adrian […]

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Laughing Through The Discomfort With ‘The Killing of a Sacred Deer’ [Horror Queers Podcast]

Absurd, Uncomfortable Transactions March wound up being a wild mix of episodes, starting with the classic thrills of UK haunted house film The Haunting, followed by a return to Woodsboro for last year’s Scream (2022), celebrating the 25th anniversary of Erotic Thriller Wild Things, as well as the practical effects of low budget creature feature Splinter, […]

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The (French) Language Lesson in ‘Pontypool’ [Maple Syrup Massacre]

Maple Syrup Massacre is an editorial series where Joe Lipsett dissects the themes, conventions and contributions of new and classic Canadian horror films. Spoilers follow… Language is paramount in Pontypool, Bruce McDonald’s Canadian (don’t call it zombie) thriller. The film concerns a shock jock DJ and his pair of female colleagues who manage a radio station over the course […]

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‘The Amityville Asylum’ Has a Cult, Accents, and Poor Indigenous Representation [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” After the misfire that was The Amityville Haunting, I was worried that the so-called unofficial sequels in “the franchise” would all be absolute dreck. Obviously we’re grading […]

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The Outstanding Creature FX of Low Budget Indie ‘Splinter’ [Horror Queers Podcast]

Original Creature Feature We’ve been making our way through March with a wild range of films. We began with Robert Wise’s iconic queer film The Haunting, unlocked the Patreon vault to re-release our super-sized episode on Scream (2022), then hopped in the pool to discuss classic 90s Erotic Thriller Wild Things. Now we’re going the indie route […]

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The Class Critique at the Heart of ‘The Tutor’ Starring Noah Schnapp [Sex Crimes]

Judging from the marketing of The Tutor, you’d be forgiven for mistaking the film for a contemporary queer update of a film like The Crush (1993). While not exclusively the purview of the 90s, a film like The Crush – in which an underage “sexpot” with a malicious streak ensnares an older man in her […]

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‘Boston Strangler’ Review – Austere Period Drama Tackles Gender, Obsession and True Crime

The latest film from writer-director Matt Ruskin begins in media res as an attentive neighbor overhears an attack on a female tenant in the unit next door. As he bangs on the door, the words “Inspired by a True Story” appear onscreen as the attacker turns up the radio to disguise the murder. There are […]

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