Questioning The Lesbian Representation in ‘Wrong Turn 4: Bloody Beginnings’ [Horror Queers Podcast]

Identical White Boys After bouncing all over the place in November with episodes on Knives and Skin, Starship Troopers, Perfect Blue and Addams Family Values, we’re settling into a few weeks of themed ‘Winter Horror’ discussions. Last week was Joel Schumacher’s deliciously queer camp Batman & Robin and this week, we’re back in Rural Horror territory […]

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Erotic Thriller ‘Color of Night’ Lacks Both Skin and Scares [Sex Crimes]

Spend enough time charting the corners of any subgenre and you’ll quickly discover that not all entries are created equal. Due to the sexually charged nature of Erotic Thrillers, a common mistake that Hollywood suits make is believing that so long as there’s an adequate amount of sex and skin, the mechanics of the plot […]

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BD’s ‘Horror Queers’ Celebrate the Best Horror of 2022 with Fourth Annual “Hereditaries” Awards; Vote Now!

Three years ago, following the lack of recognition at the Oscars for horror films, Trace Thurman and I created “The Hereditaries” (named after Toni Collette’s Hereditary omission), a series of horror awards to acknowledge all of the great work being done in the genre. We’re now up to the fourth annual Hereditaries (click here to vote), which celebrates […]

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The Amityville IP: 1983’s ‘Amityville 3D’ Has a Great Climax and a Bland Protagonist

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. After the highs of Amityville 2: The Possession, it’s hard not to see Amityville 3-D as something of a letdown. The Richard Fleischer-directed film lacks the visual flare that Damiano Damiani brought […]

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Repressed Lesbianism and Otherness in Val Lewton’s ‘Cat People’ [Horror Queers Podcast]

Get Fucked Oliver It was a busy November as Trace and I bounced from Jennifer Reeder’s female-centric text Knives and Skin to Paul Verhoeven’s anti-war satire Starship Troopers. Then we dipped over to Japan for Satoshi Kon’s gorgeously animated Perfect Blue before tackling Thanksgiving queerness in Addams Family Values, which proved, yet again, that straight […]

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Praising the Gold Standard of Femme Fatales in ‘Double Indemnity’ [Sex Crimes]

Back in June, when this series covered Wild Things, I introduced neo-noirs as a response in the 70s and 80s to the noirs of the 40s and 50s. Historical film buffs will know that the Hays Code, which censored Hollywood films based on moral grounds, dictated edits to plot and character until it was abolished […]

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“Chucky” Season 2 Post-Mortem with Don Mancini: “There Were Death Threats” [Interview]

With Season 2 of Chucky wrapped up under the Christmas tree, Trace Thurman and I sat down with show runner Don Mancini to discuss bottle episode “Death in Denial,” why Nadine (Bella Higginbotham) had to die, and where the show could go in a potential Season 3. Let’s dive deep into all things “Chucky” with […]

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The Queer Horror of “Chucky”: Episode 2.08 – “Chucky Actually”

Each week Joe Lipsett will highlight a key scene or interaction in S02 of Don Mancini’s Chucky series to consider how the show is engaging with and contributing to queer horror. Happy holigays, Chucky viewers! Leave it to show runner Don Mancini to wrap the second season with a full-blown Christmas horror episode, complete with […]

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The Amityville IP: 1981’s ‘Amityville II: The Possession’ Takes The Franchise in a Wild Direction

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. While it’s easy to appreciate the grounded, almost stoic nature of the original, it’s hard not to enjoy the outright campiness of Amityville 2: The Possession. The sequel, which never explicitly mentions […]

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Doppelgängers, Disorientation and Double Binds in Satoshi Kon’s ‘Perfect Blue’ [Horror Queers Podcast]

Otaku and Kawaii It feels like November has barely begun, and yet here we are three weeks in. Like most months on Horror Queers, we’ve been all over the place, including the dream-like pastel world of Jennifer Reeder’s women-centric Knives and Skin and the 25th-anniversary fascist machismo world of Paul Verhoeven’s Starship Troopers. Now we’re pivoting […]

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The Queer Horror of “Chucky”: Episode 2.07 – ‘Goin’ to the Chapel’

Each week Joe Lipsett will highlight a key scene or interaction in S02 of Don Mancini’s Chucky series to consider how the show is engaging with and contributing to queer horror. The time has come to finally tackle queerness in the Church. When it was revealed that Chucky S02 would take place at a Catholic […]

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“1899” Review – Netflix Series Offers Mystery Aboard a Ghost Ship

Hailing from Dark creators Jantje Friese and Baran bo Odar, 1899 is a suitably creepy and mysterious period thriller about a missing (possibly haunted) ship. The eight-episode Netflix series is a combination of the first season of The Terror and Ghost Ship with a splash of Downton Abbey. The series opens with a nightmare as Maura Franklin (Emily […]

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The Queer Horror of “Chucky”: Episode 2.06 – “He Is Risen Indeed”

Each week Joe Lipsett will highlight a key scene or interaction in Season 2 of Don Mancini’s Chucky series to consider how the show is engaging with and contributing to queer horror. RIP Nadine (Bella Higginbotham). I’ve spent a lot of time reminiscing on the character this week and thinking about what a fascinating contribution […]

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“Chucky” Costume Designer Catherine Ashton on Dressing the Show’s Characters [Interview]

While drafting the editorial on Glen and Glenda’s (Lachlan Watson) pronouns a few weeks ago, I realized that not only does each twin have a distinct identity, but that their visual coding specifically challenges traditional gender norms. Take something as simple as hair: Glenda’s short hair vs Glen’s long hair forces viewers to confront their […]

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Giving Space for Female Stories in “Knives and Skin” [Horror Queers Podcast]

WAPP WAPP WAPP With October firmly in the rearview mirror, it’s bizarre to reflect on what a wild month it turned out to be. Not only did Trace and I celebrate our 200th Main Feed episode with Karyn Kusama’s perfect film, The Invitation (2015), we revisited David Gordon Green’s divisive Halloween Kills, and even managed to get […]

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