1999’s ‘The Haunting’ Offers Exquisite Sets and Little Else [Horror Queers Podcast]

The Children, Eleanor! We’ve spent the month of July discussing the badass babes of Robert Rodriguez’s Planet Terror (listen), the queer undertones of Stanley Kubrick’s Eyes Wide Shut (listen), and the “very bad weather” of Jan de Bont‘s 1996 tornado film, Twister (listen). Now we’re wrapping up our de Bont double bill with his less […]

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‘Witchboard’ Is a Messy, Occasionally Fun Remake [Fantasia Review]

After helming some of the most significant practical effect horror films of the ’80s, writer/director Chuck Russell (The Blob, A Nightmare on Elm Street 3: Dream Warriors) returns to the genre for the first time in twenty years with Witchboard (2024). Ostensibly a remake of Kevin Tenney’s 1986 film of the same name, the new […]

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‘The Dead Thing’ Is a Stylish Look at a Toxic LA Relationship [Fantasia Review]

There’s horror to be found in LA’s dating scene, at least according to the first solo fiction feature film from director Elric Kane. Working from a script he co-wrote with Webb Wilcoxen, Kane’s The Dead Thing is a moody, atmospheric look at the toxicity of finding someone in the city of angels. Alex (Blu Hunt […]

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Musical Horror Comedy ‘Chainsaws Were Singing’ Is a Gory Delight [Fantasia Review]

Musicals are something of a unicorn in the horror genre: a rare beast that can be extremely hit (Phantom of the Paradise, The Lure) or miss (Stage Fright). So when a film from Estonia called Chainsaws Were Singing comes along, it feels like a reason to pay attention. Director Sander Maran and co-writer Karl Ilves […]

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‘Frankie Freako’ Is a Fun Ode to ’90s Puppet Mayhem Movies [Fantasia Review]

In Steven Kostanski’s latest film, the worst thing that someone can call Conor (Conor Sweeney) is square.  The ’90s-set comedy horror movie revolves around an uptight married businessman whose idea of intimacy is holding *a* hand in bed and using a different color font in a work presentation. He’s married to Kristina (Kristy Wordsworth), a […]

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‘The Chapel’ Offers Great Performances and Muddled Supernatural Thrills [Fantasia Review]

Seeing isn’t always believing in The Chapel, the latest film from Piggy writer/director Carlota Pereda. Written by Pereda, as well as Albert Bertran Bas and Carmelo Viera, The Chapel is a supernatural drama about intergenerational trauma between mothers and their daughters. The film opens in 1631 in a small Spanish town that is besieged by […]

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‘Shelby Oaks’ Review – Chris Stuckmann’s Debut Wears Its Horror Influences On Its Sleeve

The feature film debut of writer/director Chris Stuckmann has a solid, albeit slightly familiar, premise. In 2008, four YouTubers known for a ghost hunting show called ‘Paranormal Paranoids’ go missing near the deserted town of Shelby Oaks, sparking conspiracy theories and suspicions it’s a hoax to increase the channel’s notoriety. When the bodies of Laura […]

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Lifetime’s ‘When Mom Becomes a Murderer’ Is Equal Parts Mystery and Silly [Review]

Hell hath no fury like an overprotective mom in Lifetime Movie Network’s latest thriller, When Mom Becomes a Murderer. It’s obviously a ridiculous title that initially seems to reveal all of the movie’s cards, which is frustrating considering that the first two acts treats everything as a mystery. Thankfully writers Declan Dineen, Lucy Foster and […]

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The Queer Undertones of Stanley Kubrick’s Masterful ‘Eyes Wide Shut’ [Horror Queers Podcast]

Kubrick Edging June proved to be a wild month: we talked about the wacky space antics of Leprechaun 4: In Space (listen), the underseen-but-very-good trans vampire film Bit (listen), the first half of Grindhouse’s double-bill, Planet Terror (listen) before closing the month with Shinya Tsukamoto’s Japanese cyberpunk masterpiece, Tetsuo: The Iron Man (listen). Now it’s […]

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The Familiar Class Critique of ‘The Inheritance’ [Review]

There’s a mystery at the heart of The Inheritance, the new thriller from director Alejandro Brugués. Or at least that what the screenplay by Joe Russo & Chris Lamont seems to believe. When the film opens, the estranged adult children of billionaire Charles Abernathy (Bob Gunton) have assembled at the isolated family estate for the […]

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‘Amityville Frankenstein’ Isn’t Worth Reanimating [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” This editorial series has spilled a lot of digital ink analyzing how IP is the driving factor in the vast majority of Amityville films. This is hardly […]

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The Male/Male Metal Romance Behind ‘Tetsuo: The Iron Man’ [Horror Queers Podcast]

Audio Assault. June proved to be a wild month: we talked about the wacky space antics of Leprechaun 4: In Space (listen), the underseen-but-very-good trans vampire film Bit (listen), and Robert Rodriguez’s first half of the Grindhouse double-bill, Planet Terror (listen). To kick off July, we’re racing over to Japan to discuss the 35th anniversary […]

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‘Amityville Death Toilet’ Flushes the “Franchise” Even Further Down the Toilet [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” Ladies and gentlemen, it’s time to crown a top five worst Amityville film of all time. Clocking in at an excruciating 72 minutes, writer/director Evan Jacobs‘ Amityville Death Toilet […]

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‘Bit’ Is a Little Vampire Film With Plenty of Bite [Horror Queers Podcast]

Trans-formative After ending last month with Lisa Brühlmann’s female coming-of-age tale Blue My Mind (listen), we’ve spent June discussing Danny Boyle’s Sunshine (listen) and Brian Trenchard-Smith’s 1997 sequel Leprechaun 4: In Space (listen). Now we’re back in YA territory with Brad Michael Elmore‘s trans vampire tale Bit, but the 2019 film is quite a bit more fun […]

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Lifetime’s ‘Death Down the Aisle’ Is All Business and Red Herrings [Review]

Death Down the Aisle begins with the tantalizing image of a bride, Malorie (Jess Brown), dressed in a wedding dress splattered with blood. This is a brief (unnecessary) in media res opening before writer Audrey C. Marie jumps the action back to earlier in the day. It’s the day of the wedding, Malorie is preparing […]

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