‘Riddle of Fire’ TIFF Review – A Throwback to Children’s Quest Narratives

There’s nothing quite like a throwback film – whether it’s driven by nostalgia or executed as a creative exercise, it’s fun to see how creatives handle the material. Weston Razooli’s Riddle of Fire has all of the hallmarks of a classic ’80s children adventure film, mixed with the quaintness of a British fairytale. This is […]

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‘Sleep’ TIFF Review – Sleepwalking Turns Horrifying for New Parents

The premise of writer/director Jason Yu’s feature debut Sleep is great. Soo-jin (Jung Yu-mi) and Hyun-su (Lee Sun-kyun) are expecting parents living in an apartment with paper thin walls and contending with a lot of stress. Their downstairs neighbour complains about the barking of their dog Pepper, Soo-jin is still working in an office despite […]

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‘Working Class Goes to Hell’ TIFF Review – A Class Critique Without Bite

There’s an air of sad desperation that hangs over Working Class Goes to Hell. Things have been rough in this unnamed Serbian town since a fire at the May Day Factory killed nine people. And while the town’s wealthy elite, including a shady bar owner, organized crime boss Snowman, and even the corrupt mayor are […]

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‘Aggro Dr1ft’ TIFF Review – A Dazzling Visual Experiment With a Shallow Plot

Harmony Korine has always been a provocateur, so it’s hardly surprising that his latest film, Aggro Dr1ft, is unconventional. The 80-minute feature is filmed entirely in infrared thermal imaging, which means the production is wall-to-wall vibrant reds, yellows, blues, and neon greens. It’s a dazzling visual spectacle that radically alters the affect of the performances […]

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‘NAGA’ TIFF Review – A Tense Thriller With a Terrifying Creature Feature Set Piece

Writer/director Meshal Aljaser’s NAGA opens with a moment of shocking violence: in 1970, a man with a gun moves through the halls of a hospital, searching for his pregnant wife. When he finds her, he murders her and the male doctor, incensed that his baby boy wasn’t delivered by a female doctor as he prescribed. […]

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‘Amityville Island’ Entertains with a Silly Women-in-Prison Grindhouse Film [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” It’s time to revisit the Amityville “franchise’s” most prolific director, Mark Polonia. Thus far we’ve experienced his work on Amityville Death House (famed for its bizarre Spider […]

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Erotic Thriller Documentary ‘We Kill For Love’ Celebrates 80s and 90s Thrillers [Sex Crimes]

For the first time since beginning this editorial series, we’re discussing a documentary rather than a fiction film. That’s because Yellow Veil just released a supersized documentary about the history of the Erotic Thriller called We Kill For Love: The Lost World of the Erotic Thriller (2023). Clocking in at 163 minutes, this is a […]

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‘The Amityville Murders’ – A Ghoulish and Exploitative Look at the DeFeo Murders [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” There’s something frustrating about a film that begins with a lot of potential, and then thoroughly squanders it. Writer/director Daniel Farrands’ The Amityville Murders is one such […]

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‘Sleepaway Camp 2’ Celebrates Its Trans Villain [Horror Queers Podcast]

Touch That Tush. August has featured an American giallo in Eyes of Laura Mars, a Spanish ghost story in The Others, and a Jewish horror comedy in Shiva Baby. Now it’s time to head back to literal summer camp with director Michael A. Simpson‘s very silly horror comedy: Sleepaway Camp 2: Unhappy Campers (1988). In […]

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Fiction and Documentary Collide in ‘Fake Blood’ [Maple Syrup Massacre]

Maple Syrup Massacre is an editorial series where Joe Lipsett dissects the themes, conventions and contributions of new and classic Canadian horror films. Spoilers follow… Fake Blood is a delicious curiousity: it’s a documentary about director Rob Grant and his frequent collaborator Mike Kovac, who also co-writes, exploring their responsibility in depicting cinematic violence. Or at least that’s how […]

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‘Shiva Baby’ Is a Secret Jewish Horror Film [Horror Queers Podcast]

Sugar Goop. We kicked off August discussing the ins and outs of the photography industry in the American giallo Eyes of Laura Mars before getting serious with a discussion on the afterlife and religion in queer director Alejandro Amenábar‘s The Others. Now we’re somewhere in between drama and comedy with writer/director Emma Seligman‘s raucous comedy slash anxiety-driven Jewish […]

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‘Amityville: Mt. Misery Road’ Is a Short Film Barely Stretched to Feature Length [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” There have been some bad Amityville films since we ventured off the path into open IP territory. A lot of filmmakers have used the name recognition of […]

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‘Fatale’ Brings Race Into the Erotic Thriller Mix [Sex Crimes]

For all of the murder and crime that occurs in Erotic Thrillers, more often than not, the police are barely present in the subgenre. If the protagonist isn’t a cop, there might be a detective on the margins or a beat cop taking a statement at a crime scene, but more often than not, law […]

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American Giallo ‘Eyes of Laura Mars’ Is a Vision of 1970s Fashion Photography [Horror Queers Podcast]

Let’s All Chant. July wound up being another wild month as Trace and I veered all over the place. From cross-dressing serial killers in Insidious: Chapter 2 and Psycho, to trans representation in Escape Room: Tournament of Champions, to the incredibly queer cast and crew of Peaches Christ’s All About Evil. Now we’re closing out the month with an […]

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‘#Manhole’ Fantasia Review – An Exciting New Twist on the Confined Single Location Thriller

It takes a great deal of careful plotting to make a good confined single location thriller. Films such as Buried (2010), The Pool (2018), and 4×4 (2019) rely on a variety of complications to maintain tension without becoming repetitive or overstaying their welcome. It’s a delicate balance, but when it’s done well, the results can […]

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