‘Shark Side of the Moon’ Review – Tubi Hopes You’re in the Mood for Russian Space Shark Silliness

From the directors of The Asylum’s Dune knockoff and the writers/director of The Asylum’s Aladdin ripoff comes The Asylum’s Tubi Original Shark Side of the Moon. Just when you thought it was safe to colonize Earth’s crater-covered moon again, Glenn Campbell and Tammy Klein introduce Russian human-shark hybrids as cosmic predators. Or, more appropriately, lower-than-low-budget […]

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‘The Hills Have Eyes’ Took a Horror Classic and Made It Even Better [Revenge of the Remakes]

Wes Craven‘s The Hills Have Eyes is a seminal “Sunny Scary” horror flick renowned for its cannibalistic hilltop clan, but it certainly presents as one of Craven’s earliest works. The sorely missed master of horror went on to hone his craft as a writer and director, tidying visions and coaxing stronger performances. Craven’s 1977 The […]

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‘Fright Night’: A Remake So Good It May Outshine the Original Classic [Revenge of the Remakes]

Tom Holland‘s Fright Night has cemented itself as a crucial pillar in ’80s vampire canon. There’s an embrace of bloodsucker mythologies in addition to cheeky commentaries about how vamps are perceived in the media (using the character of Peter Vincent). It’s a tale as old as Dracula between eternal lust and pointed fangs that sometimes […]

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How ‘Firestarter’ Fails to Clear Even a Low Bar for Stephen King Adaptations [Revenge of the Remakes]

There’s a thin, blurry line between remake and adaptation. Keith Thomas’ Firestarter is both an adaptation of Stephen King‘s incendiary novel and a remake of Mark L. Lester‘s 1984 adaptation with the same name. Any crossover depends on how screenwriters take creative liberties with King’s source or how strictly each title follows the horror author’s […]

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‘Shark Bait’ Review – Another Mediocre Shark Attack Movie That At Least Has Gory Bite

James Nunn‘s Shark Bait earns its praise only by comparison in today’s grim state of contemporary fin flicks. Anyone could record more thrilling aquatic horrors than 2021’s Great White or 2022’s The Requin with a handheld camera, a kiddie pool, and a Street Sharks puppet. Not since 2020’s Deep Blue Sea 3 has shark cinema […]

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David Cronenberg’s ‘The Fly’ Continues to Make a Strong Pro-Remake Argument [Revenge of the Remakes]

David Cronenberg‘s The Fly (1986) upholds a storied tradition of 80s remakes reinventing classic horrors through emblematic practical effects. John Carpenter’s The Thing (1982) and Chuck Russell’s The Blob (1988) both embrace the spectacle of SFX advancement to build a better goopy mass or parasitic entity. Kurt Neumann‘s 1958 iteration of The Fly, co-starring Vincent […]

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“Good Taste Is Not a Democracy”: Slasher-Comedy ‘Detention’ Is Better Than Ever 10 Years Later

Joseph Kahn‘s Detention deserves its own club when we talk about underappreciated, before-their-time strokes of brilliance. What an embarrassment of riches in a post-meta Scream world where so few imitators live up to Wes Craven’s redefinition of evolutionary slashers. Yes, initial reception led to negative aggregator scores for numerous reasons — too many subgenres smashed […]

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‘The Town That Dreaded Sundown’ Proves Originality Can Come from Recreations [Revenge of the Remakes]

Through my “Revenge of the Remakes” odyssey — today’s marks lucky number 20 — there haven’t been many disparities in quality like that between Alfonso Gomez-Rejon‘s and Charles B. Pierce‘s The Town That Dreaded Sundown. Pierce’s 1976 original adapts 1946’s Texarkana Moonlight Murders as a 40’s crime thriller that’s hokey, tonally abysmal, and dull with […]

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‘House of Wax’ 2005 Turned a 1950s Horror Movie into a Slasher Spectacle [Revenge of the Remakes]

Jaume Collet-Serra‘s 2005 House of Wax remake is a mashup of influences and intentions. It’s supposedly based on Andre DeToth‘s 1953 thriller of the same name, itself a remake of 1933’s Mystery of the Wax Museum — but you couldn’t tell based on watches alone. Collet-Serra admits in Fangoria Magazine that his House of Wax […]

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‘The Texas Chainsaw Massacre’ Kick-Started the Modern Franchise Remake With Relentless Inhumanity [Revenge of the Remakes]

Welcome to Revenge of the Remakes, where columnist Matt Donato takes us on a journey through the world of horror remakes. We all complain about Hollywood’s lack of originality whenever studios announce new remakes, reboots, and reimaginings, but the reality? Far more positive examples of refurbished classics and updated legacies exist than you’re willing to remember […]

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The ‘April Fool’s Day’ Remake Kills Off All the Charm of the Original Slasher [Revenge of the Remakes]

Welcome to Revenge of the Remakes, where columnist Matt Donato takes us on a journey through the world of horror remakes. We all complain about Hollywood’s lack of originality whenever studios announce new remakes, reboots, and reimaginings, but the reality? Far more positive examples of refurbished classics and updated legacies exist than you’re willing to remember […]

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Nia DaCosta’s ‘Candyman’ Reimagines the Mythology With a Sequel-Reboot Hybrid [Revenge of the Remakes]

Welcome to Revenge of the Remakes, where columnist Matt Donato takes us on a journey through the world of horror remakes. We all complain about Hollywood’s lack of originality whenever studios announce new remakes, reboots, and reimaginings, but the reality? Far more positive examples of refurbished classics and updated legacies exist than you’re willing to remember […]

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‘House on Haunted Hill’ Will Live in Glorious Infamy for Its Over-the-Top Theatrics [Revenge of the Remakes]

Welcome to Revenge of the Remakes, where columnist Matt Donato takes us on a journey through the world of horror remakes. We all complain about Hollywood’s lack of originality whenever studios announce new remakes, reboots, and reimaginings, but the reality? Far more positive examples of refurbished classics and updated legacies exist than you’re willing to remember […]

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Ranking All Five Films in ‘The Purge’ Franchise, From Worst to Best

Back in 2013, James DeMonaco introduced America to a (hopefully) exaggerated cinematic dystopia where citizens are allowed to indulge their darkest sins for twelve hours—welcome to the annual “Purge.” We spend the entirety of DeMonaco’s The Purge trapped inside with masked intruders trying to spread lawless violence unto a gated community where privileged upper crusters, […]

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