Spooky Sets and Roald Dahl’s Influence on ‘The Cellar’ [Interview]

Hitting theaters and Shudder this Friday is Brendan Muldowney‘s The Cellar (review), an adaptation of his 2004 short film “The Ten Steps” (watch here). We were able to speak to Muldowney and actor Eoin Macken, who plays Elisha Cuthbert’s husband in the film, about the film’s development and production. After releasing “The Ten Steps”, Muldowney stepped away […]

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Glass Ceilings and An(other) AIDS Allegory in ‘Near Dark’ [Horror Queers Podcast]

Bet on Bigelow. After reaching the end of the road on our Underseen or Underrated?” theme with the queer, DIY aesthetics of Death Drop Gorgeous, we then returned to our regular programming with an analysis of Michael Powell’s Peeping Tom and a Spring Break celebration with Alexandre Aja’s 2010 schlock-fest Piranha 3D. Now we head back […]

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Elisha Cuthbert on Her Return to Horror With ‘The Cellar’ [Interview]

Hitting theaters and Shudder this Friday is Brendan Muldowney‘s The Cellar (review), an expansion of his 2004 short film “The Ten Steps” (watch here). For the film’s lead actress Elisha Cuthbert (House of Wax), The Cellar marks her return to horror after a 15-year absence. We had the opportunity to speak with Elisha Cuthbert about the large […]

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Doused With Bikinis, Boobs and Blood in ‘Piranha 3D’ [Horror Queers Podcast]

Spring Break Boobies. After reaching the end of the road on our “underseen or underrated?” theme with the queer, DIY aesthetics of Death Drop Gorgeous and returning to our regular programming with an analysis of Michael Powell’s Peeping Tom, we’re going to celebrate Spring Break a little late with bikinis and boobs in Alexandre Aja‘s 2010 schlock-fest […]

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‘Hypochondriac’ SXSW Review – Tackling Mental Illness Through a Queer Horror Lens

Depictions of mental illness are common in film, especially in the horror genre. They’ve become even more prevalent in recent years as filmmakers have used their work to aid in destigmatizing mental illness, but these films also come with tropes that we’ve seen many times before. Is our protagonist going crazy? Or is there something […]

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‘Slash/Back’ Review – A Delightful Throwback to ’80s Gateway Horror [SXSW]

Having started SXSW with a family-friendly horror film (of sorts) that didn’t quite hit the mark, it’s invigorating to end the Austin-based festival with another family-friendly effort that not only remembers to have fun, but also refrains from handholding its younger viewers through some serious subject matter. That’s what Nyla Innuksuk, in her feature directorial […]

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‘The Prank’ Review – Rita Moreno Dazzles, But This Dark Comedy Plays It Too Safe

23 years ago, Kevin Williamson wrote and directed Teaching Mrs. Tingle, a film that saw a good student (Katie Holmes) hold a vindictive teacher (Helen Mirren) hostage in her own home after she is caught cheating. It was a dark comedy, but due to its proximity to the Columbine High School massacre it was a watered-down […]

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‘The Cellar’ Review – A Familiar, Family-Friendly Haunted House Movie

Family horror is a sub-genre that hasn’t really been given its due in recent years. Popular IPs like Goosebumps have been adapted into films that emphasize comedy over horror, and it’s nigh impossible to find any original family horror films getting released nowadays. We’ve had films like Monster House, Coraline and Joe Dante’s under-seen The Hole, but […]

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Talking Through Internalized Homophobia in ‘Spiral’ [Horror Queers Podcast]

Open Your Heart, Baby Joe and I are nearing the end of our “Underseen or Underrated?” theme that we’ve been working through in 2022, and the last few weeks have been a bit intense, to say the least. For 2017, we revisited Darren Aronofsky‘s religious/eco horror thriller mother! before doing it for the lulz in […]

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‘Sissy’ Review – A Murderous Look at the Perils of Influencer Culture

In an age where the number of likes, retweets and follows you get is more valuable currency than money itself, it’s no surprise that the horror genre has taken to incorporating things like influencer culture into their social commentary. That’s just what happens in Hannah Barlow and Kane Senes‘ darkly comedic satire Sissy, which follows […]

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‘Everything Everywhere All at Once’ SXSW Review – A Magical Triumph of Cinematic Storytelling

Daniel Kwan and Daniel Scheinert, the directing duo known collectively as “The Daniels,” haven’t directed a feature film together since 2016’s Swiss Army Man (review), with Kwan branching off to work on television shows like FX’s Legion and Scheinert directing a feature film on his own in 2019’s The Death of Dick Long (review). Six years […]

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Doing It for the Lulz in ‘Assassination Nation’ [Horror Queers Podcast]

Bitch, We’re All Bella Thorne. After a few weeks of back-to-back quiet, moody films for our “underrated or underseen” theme, Joe and I have switched over to films that are some intense assaults on the senses. For 2017, we revisited Darren Aronofsky‘s religious/eco horror thriller mother!, and that trend continues this week with Sam Levinson‘s […]

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Coming of Age With the ‘Boys in the Trees’ [Horror Queers Podcast]

What’s a Bogan? Joe and I have been on a roll with our “Underrated or Underseen?” theme for the first quarter of the year! As we move through the 2010s, we’ve discussed Rob Zombie’s polarizing 2013 film The Lords of Salem, then we had a few laughs with a discussion of Gerard Johnstone’s 2014 film […]

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The “Horrality” of ‘Housebound’ [Horror Queers Podcast]

AmOS’ ButtOCKs After kicking off 2022 with a double-dose of Scream 4, Joe and I started our “Underrated or Underseen?” theme for the first quarter of the year with a look at 2012’s American Mary and 2013’s The Lords of Salem. Now we’re tackling 2014 with a hearty discussion of Gerard Johnstone‘s hilarious comedy horror film Housebound! In […]

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The Muddled Messaging of ‘American Mary’ [Horror Queers Podcast]

Bourbon & Bush After closing out 2021 with a celebration (of sorts) of Witchboard‘s 35th anniversary and kicking off 2022 with a double-dose of Scream 4, Joe and I are continuing our “Underrated or Underseen?” theme of the first quarter of the year with a look at The Soska Sisters‘ 2012 film American Mary. In the […]

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