A Disturbing Nightmare: Returning to ‘Eden Lake’ 16 Years Later

Here in the US, James Watkins’ directorial debut Eden Lake went straight to DVD and was distributed by Dimension Films. Of all the titles to fly under the Dimension Extreme banner though, this one was the most deserving. The movie turned out to be more of an endurance test than I could have ever anticipated. […]

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Junji Ito Double Feature: Revisiting J-Horror Movies ‘Uzumaki’ and ‘Kakashi’

The majority of Junji Itō adaptations are underseen or simply unknown. The sheer amount may also come as a surprise. The peak of movies based on the horror mangaka’s works was during the “J-Horror” wave; The Ring (1998) signaled a sea change in Japanese horror, and studios were looking everywhere for inspiration. Unfortunately, Itō is […]

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‘Cut’ – Revisiting the Australian Slasher 24 Years Later

Currently there is only one movie where Kylie Minogue is murdered by a masked madman, and then former Brat Packer Molly Ringwald swoops in to save the day. Of course that movie is none other than the horror obscurity Cut (2000). This hidden gem from Down Under popped up during the first slasher revival, which […]

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‘Kidan: Piece of Darkness’ – This Collaborative J-Horror Anthology Includes ‘Noroi: The Curse’ Director

Horror anthologies are alive and well in Japan. From books and manga to television and film, the Japanese clearly enjoy their scares in segments. Especially during summer, a season where spirits are said to return to the mortal realm. And many times the literary side of kaidan (ghost stories) entail collections called kaidan-shū, a style […]

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‘B&B’ – This Culture Clash Thriller from 2017 Offers Hitchcockian Suspense

No one likes a sore loser, but perhaps sore winners are even worse. As seen in B&B, the big-screen debut from TV writer and director Joe Ahearne, a couple cannot simply accept their victory and move on with their lives. Quite the opposite: here Tom Bateman and Sean Teale’s characters return to the scene of […]

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‘Dog Soldiers’ – Werewolf Action Movie Still Delivers a Mean Bite 22 Years Later

After a relatively sparse decade of werewolf cinema, the early 2000s unleashed a new wave of fur, fangs and bone-breaking transformations. Ginger Snaps was ahead of the curve, especially considering how it approached the same old ideas but in a fresh way. Nevertheless, Dog Soldiers was also bracing and innovative; Neil Marshall delivered a high-concept […]

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‘The Borderlands’ – Unearthing a Found Footage Hidden Gem

Before unleashing a cruel fate upon its characters — one of the worst in recent horror memory — The Borderlands leads the audience down a different path, insensibly alluding to what all lies ahead. The plot breadcrumbs of Elliot Goldner’s 2013 film are only more discernible after the fact. Until that momentous reveal, this plays […]

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‘Bloodmoon’ (1990) – An Underseen Ozploitation Spin on the Classic American Slasher

As secrets come out and the body count grows, a character in Bloodmoon says to another: “This is nightmare night, the end-of-the-fuckin’-world night… all the bugs and the bats and the goblins are coming out tonight and no one can stop them.” Based on that rather dramatic statement, one delivered by actor Christine Amor without […]

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‘Hansel & Gretel’ – The Korean Adaptation of the Classic Brothers Grimm Fairy Tale

Hansel and Gretel, the two German kids who nearly became somebody’s meal, need little introduction. The characters in this Brothers Grimm classic have been used as a lesson about stranger danger and resilience for years. And while Hansel and Gretel’s ordeal has been put on screen multiple times — both faithfully and loosely — Yim […]

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Year of the Dragon: Revisiting Korean Kaiju Movie ‘Dragon Wars: D-War’

Looking through Shim Hyung-rae’s small oeuvre, it would only make sense for the South Korean comedian-turned-filmmaker to create a movie like Dragon Wars: D-War. As early as 1993, Shim was playing with monsters; his directorial debut, Young-Goo and Dinosaur Zu-Zu, is derivative of Gorgo, Mothra and the like. Shim returned soon after with more monster […]

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New Year’s Nightmare: ‘The Children’ Is One of the Most Frightening British Horror Movies of the 2000s

While Christmas tends to be the default setting for winter horror, 2008’s The Children makes a good argument for terror around the New Year. Many folks would expect leisure and fun after a busy Christmas. However, the chance for relaxation is out of the question in Tom Shankland’s movie. Something terrible has suddenly happened to […]

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‘Wolf Creek’ – How the 2005 Horror Movie Brought the Outback Gothic Back to Terrifying Life

Similar to France’s New Extremity, Australia experienced its own significant genre resurgence in the 2000s. Most agree the Land Down Under’s golden days of filmmaking began in the ’70s and then drew to a close around the late ‘80s. This period, better known as the Australian New Wave, soared to new heights after the government […]

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‘The Fear: Halloween Night’ – How This Sequel Improves on the Original

Back when video shops and horror aisles were still common, it was hard not to be creeped out by the classic box art for The Fear. Wooden antagonist Morty attacks onlookers with his unrelenting stare. The tagline “He’s Whatever Scares You The Most” is as intriguing as it is foreboding. And while this 1990s horror […]

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The Talking Dead: ‘Séance on a Wet Afternoon’ and ‘Kourei’ [Horrors Elsewhere]

Certain stories are worth adapting more than once. Such is the case for Mark McShane’s Séance on a Wet Afternoon. The two notable, not to mention distinct interpretations of this 1961 novel each capture a disquieting tale of an overzealous medium, and her plan to become esteemed and famous. Although one film follows the text […]

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‘The Descent Part 2’ – Diving into the Sequel 14 Years Later

Back then, no one was expecting The Descent to go on and become one of the most widely acclaimed horror films of the decade. Even today, Neil Marshall’s second creature-feature (the first being Dog Soldiers) remains a favorite among audiences and critics everywhere. This iconic film defies those expectations based on its cast and pitch […]

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