Get Fucked Oliver It was a busy November as Trace and I bounced from Jennifer Reeder’s female-centric text Knives and Skin to Paul Verhoeven’s anti-war satire Starship Troopers. Then we dipped over to Japan for Satoshi Kon’s gorgeously animated Perfect Blue before tackling Thanksgiving queerness in Addams Family Values, which proved, yet again, that straight […]
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