Perception is everything. Filmmakers often toy with reality by unscrewing the story from the unreliable narrator’s vantage point. In filtering events through a distorted lens, incrementally unraveling the truth, writers and directors keep the viewer tip-toeing through a battlefield littered with dynamite. Darren Aronofsky’s mother! and Mitzi Peirone’s Braid shift reality like tectonic plates. Both […]
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