Rococo Hussy. After four weeks of nothing but “Weird Sex” films, including David Cronenberg’s “the medium is the message” Videodrome, Andrzej Żuławski’s tentacle divorce film Possession, Kevin Smith’s “creature feature” Tusk, and Mike Nichols’ genre mixing Wolf, Trace and I are venturing into more subdued territory with Robert Wise‘s 1963 black and white classic, The Haunting. […]
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