Hunter Schafer Horror Movie ‘Cuckoo’ Debuts With $3 Million Opening Weekend

Following the box office success of Immaculate and especially Longlegs, NEON is back on the big screen with their latest horror offering Cuckoo, which has been earing rave reviews from critics and horror fans alike. It’s undoubtedly a far less mainstream horror movie than Longlegs, however, and it was only released in 1,503 theaters nationwide over the weekend.

How did Cuckoo fare in its opening weekend at the box office? It’s no Longlegs but NEON is surely smiling at the indie horror movie’s $3,012,500 opening weekend this morning. Interesting to note, Cuckoo is currently sitting in the #9 spot on the domestic box office charts, with Longlegs making another $2 million over the weekend and finding itself in the #10 spot.

Cuckoo is the latest horror movie from writer/director Tilman Singer (Luz). The film’s reported production budget was a mere $7 million. Hunter Schafer (“Euphoria”) stars.

In Cuckoo: “Reluctantly, 17-year-old Gretchen leaves her American home to live with her father, who has just moved into a resort in the German Alps with his new family. Arriving at their future residence, they are greeted by Mr. König, her father’s boss, who takes an inexplicable interest in Gretchen’s mute half-sister Alma. Something doesn’t seem right in this tranquil vacation paradise. Gretchen is plagued by strange noises and bloody visions until she discovers a shocking secret that also concerns her own family.”

Dan Stevens (The Guest), Jessica Henwick (Underwater), Marton Csókás (Freelance), Greta Fernández (Santo) and Jan Bluthardt (Luz) also star in Cuckoo.

Meagan wrote in her review out of SXSW, “There’s inventive worldbuilding on display that sets this high-concept horror movie apart and a few intense horror cat-and-mouse scenes that deliver palpable tension. But Singer approaches it with a playful sense of humor that only further nudges Cuckoo into the realm of weird cinema. It’s so refreshingly unconventional and unpredictable in every way, right down to its raucous, entertainingly silly finale, that it’s hard to care about all of the plot that gets discarded along the way.”

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