From director Tim Kasher, the upcoming indie horror movie Who’s Watching is headed to both Beyond Fest and the Brooklyn Horror Film Festival this October, and Bloody Disgusting has been exclusively provided with the poster art tonight. Check it out below and read on.
The poster reveal comes in the wake of a series of creepy clips that we debuted over on Twitter last week, and it introduces the man who filmed the footage: a man named Caleb.
In every city in America, there’s a man like Caleb…
The Brooklyn Horror Film Festival previews on their website, “A loner who passes his time as part of a low-rent heavy metal band, Caleb (Zachary Ray Sherman, one to watch) becomes obsessed with a new female co-worker. At first, he records her under the fake guise of making a documentary, but as his infatuation grows, he resorts to more desperate and dangerous methods to change her mind about him. With stretches of found-footage perspective and a wholesale punk edge, indie rock veteran Tim Kasher’s (frontman of the bands Cursive and The Good Life) first feature brings fresh energy and an experimental approach to stalker-focused horror storytelling, constantly zigging where you expect him to zag.”
“Who’s Watching is a story I first conceived way back in 2010, as I had yet to see a movie approach the stalker trope from this particular angle,” director Tim Kasher explains in a statement to Bloody Disgusting, “After passing the script around to little interest, I set it aside before returning to it around 2018, realizing that STILL no one had told this story in such a fashion. A few bumpy years followed (as well as a pandemic) but we eventually got it shot in late summer of 2023, in and around Omaha, Nebraska where I was born and raised.”
Kasher continues, “This poster is from the vision of Carlos Colón, crafting imagery that feels both nostalgic and modern to us, exactly what we were looking for to encapsulate this film that we tried to make “out of time,” feeling neither present nor past.”
Who’s Watching is produced by Josh Ethier.
Poster Credit: Carlos Colón
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